Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?" "I haven't the least idea," said the girl.!

"Yes, that doesn't happen very often, does it?" Mrs. Brigstock looked round afresh at Fleda's home. "And did she ask you also particularly to see him here in town?" Mrs. Brigstock's hideous bonnet seemed to argue for the unsophisticated truth; and it was on Fleda's lips to reply that such had indeed been Mrs. Gereth's request. But she checked herself, and before she could say anything else Owen had addressed their companion.

"Then you ought to be ashamed of yourself!" Mrs. Gereth broke out with a change of note that showed how deep a passion underlay everything she had said. The poor woman, catching her companion's hand, however, the next moment, as if to retract something of this harshness, spoke more patiently. "Don't you understand, Fleda, how immensely, how devotedly, I've trusted you?" Her tone was indeed a supplication. "What you always do—to see what he wants." Mrs. Gereth dismissed the maid. "Tell him Miss Vetch will come." Fleda saw that nothing was in the mother's imagination at this moment but the desire not to meet her son. She had completely broken with him, and there was little in what had just happened to repair the rupture. It would now take more to do so than his presenting himself uninvited at her door. "He's right in asking for you—he's aware that you're still our communicator; nothing has occurred to alter that. To what he wishes to transmit through you I'm ready, as I've been ready before, to listen. As far as I'm concerned, if I couldn't meet him a month ago, how am I to meet him to-day? If he has come to say, 'My dear mother, you're here, in the hovel into which I've flung you, with consolations that give me pleasure,' I'll listen to him; but on no other footing. That's what you're to ascertain, please. You'll oblige me as you've obliged me before. There!" Mrs. Gereth turned her back and, with a fine imitation of superiority, began to redress the miseries immediately before her. Fleda meanwhile hesitated, lingered for some minutes where she had been left, feeling secretly that her fate still had her in hand. It had put her face to face with Owen Gereth, and it evidently meant to keep her so. She was reminded afresh of two things: one of which was that, though she judged her friend's rigor, she had never really had the story of the scene enacted in the great awestricken house between the mother and the son weeks before—the day the former took to her bed in her over-throw; the other was, that at Ricks as at Poynton, it was before all things her place to accept thankfully a usefulness not, she must remember, universally acknowledged. What determined her at the last, while Mrs. Gereth disappeared in the shrubbery, was that, though she was at a distance from the house and the drawing-room was turned the other way, she could absolutely see the young man alone there with the sources of his pain. She saw his simple stare at his tapestries, heard his heavy tread on his carpets and the hard breath of his sense of unfairness. At this she went to him fast. Fleda appeared to consider: she appreciated her visitor's magnanimous use of the plural. "Mona won't die," she replied.